STACEY PULLEN



Stacey Pullen is the Kosmik Messenger. An innovator from the second wave of Detroit techno, he grew up under the mentorship of Detroit's legendary three: Derrick May, Juan Atkins and Kevin Saunderson. Still continuing to produce his characteristic atmosphere laden electronic sound, Stacey Pullen compounds his reputation as a producer with that of being one of the world's most in demand DJs, playing weekly across the globe year in year out. With a font of passion for music and performance that never dries up, Stacey Pullen still plays every gig from the heart, seeking to surprise and engage, to provide an unforgettable experience, to offer his unique catalogue up without predictability, defying expectation. Above all, from his earliest attempts to the current day Stacey Pullen has stayed true to his one goal: to become and to always be an Innovator.

Around 1985, while Stacey was still drumming and traveling with his high school band, the Detroit Techno movement was born, and provided a revolutionary sound to the youth of Detroit. Stacey Pullen and some friends from his band took their cue from musical leaders like Jeff Mills and Electrifying Mojo Radio and began to experiment with turntables and a mixer. He also started clubbing around the age of 15, the first club he frequented was called 'The Primadonna', the first DJ he remembered was a local legend called Alan Ester and the first music he was clubbing to was called 'Progressive Music' – not in the sense of the word that we currently understand, but because, in Stacey's words “the meaning of 'progressive' was a futuristic way of thinking about music.” After graduating he went to university in Tennessee, leaving techno behind apart from mix tapes and weekend jaunts back to Detroit to go to legendary club the Music Institute. After a couple of years, Stacey realised his future was in music not academics, and he abandoned his course and moved home to make music full time.

In 1998 Stacey was invited to produce his very first major label release on Virgin Records, and at the same time was planning to open the label he had wanted to start for about three years 'BlackFlag'. He recorded a more conceptual LP 'Today is the Tomorrow You Were Promised Yesterday ' for Virgin imprint ‘Science’, the first under his own name. He was very influenced by his research into the history of Jazz, and – with the support of Virgin – used unorthodox ideas including the inclusion of an Opera Singer on one track 'Vertigo'. He also released remixes from influential artists of the time like Dave Angel and 4Hero. He also started his first label Black Flag Recordings with his partner of that time, and started releasing records as 'Black Odyssey', starting with 'Sweat' in 1998 and then 'The Stand in 2000'.

Stacey is still on the road DJing, bringing his signature eclecticism to some lucky part of the planet. As a result, every set becomes more personalised, more unique, and indisputably a window into Stacey's musical passions. The lure of this technological innovation has also brought Stacey back to the studio, making his own tracks and executive producing other artists. Also, excitingly, he has rekindled his BlackFlag label plans to release older material which has never been heard before.